Hitler: a Study in Tyranny
No regime in history has ever paid such careful attention to psychological factors in politics. Hitler was a master of mass emotion. To attend one of his big meetings was to go through an emotional experience, not to listen to an argument or a rogramme. Yet nothing was left to chance on these occasions. Every device for heightening the emotional intensity, every trick of the theatre was used. The Nuremberg rallies held every year in September were masterpieces of theatrical art, with the most carefully devised effects. ‘I had spent six years in St Petersburg before the war in the best days of the old Russian ballet,’ wrote Sir Nevile Henderson, ‘but for grandiose beauty I have never seen a ballet to compare with it.' To see the films of the Nuremberg rallies even today is to be recaptured by the hypnotic eftect of thousands of men marching in perfect order, the music of the massed bands, the forest of standards and flags, the vast perspectives of the stadium, the smoking torches, the dome of searchlights. The sense of power, of force and unity was irresistible, and all converged with a mounting crescendo of excitement on the supreme moment when the Fiihrer himself made his entry. Paradoxically, the man who was most affected by such spectacles was their originator, Hitler himself, and, as Rosenberg remarks in his memoirs, they played an indispensable part in the process of self-intoxication.
Hitler had grasped as no one before him what could be done with a combination of propaganda and terrorism. For the complement to the attractive power of the great spectacles was the compulsive power of the Gestapo, the S.S., and the concentration camp, heightened once again by skilful propaganda. Hitler was helped in this not only by his own perception of the sources of power in a modern urbanized mass-society, but also by possession of the technical means to manipulate them.