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PATER, Walter



Marius The Epicurean

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The apartment in which Marius found himself was of ancient aspect, and richly decorated with the favourite toys of two or three generations of imperial collectors, now finally revised by the high connoisseurship of the Stoic emperor himself, though destined not much longer to remain together there. It is the repeated boast of Aurelius that he had learned from old Antoninus Pius to maintain authority without the constant use of guards, in a robe woven by the handmaids of his own consort, with no processional lights or images, and "that a prince may shrink himself almost into the figure of a private gentleman." And yet, again as at his first sight of him, Marius was struck by the profound religiousness of the surroundings of the imperial presence. The effect might have been due in part to the very simplicity, the discreet and scrupulous simplicity, of the central figure in this splendid abode; but Marius could not forget that he saw before him not only the head of the Roman religion, but one who might actually have claimed something like divine worship, had he cared to do so. Though the fantastic pretensions of Caligula had brought some contempt on that claim, which had become almost a jest under the ungainly Claudius, yet, from Augustus downwards, a vague divinity had seemed to surround the Caesars even in this life; and the peculiar character of Aurelius, at once a ceremonious polytheist never forgetful of his pontifical calling, and a philosopher whose mystic speculation encircled him with a sort of saintly halo, had restored to his person, without his intending it, something of that divine prerogative, or prestige. Though he would never allow the immediate dedication of altars to himself, yet the image of his Genius—his spirituality or celestial counterpart—was placed among those of the deified princes of the past; and his family, including Faustina and the young Commodus, was spoken of as the "holy" or "divine" house. Many a Roman courtier agreed with the barbarian chief, who, after contemplating a predecessor of Aurelius, withdrew from his presence with the exclamation:—"I have seen a god to-day!" The very roof of his house, rising into a pediment or gable, like that of the sanctuary of a god, the laurels on either side its doorway, the chaplet of oak-leaves above, seemed to designate the place for religious veneration. And notwithstanding all this, the household of Aurelius was singularly modest, with none of the wasteful expense of palaces after the fashion of Lewis the Fourteenth; the palatial dignity being felt only in a peculiar sense of order, the absence of all that was casual, of vulgarity and discomfort. A merely official residence of his predecessors, the Palatine had become the favourite dwelling-place of Aurelius; its many-coloured memories suiting, perhaps, his pensive character, and the crude splendours of Nero and Hadrian being now subdued by time. The window-less Roman abode must have had much of what to a modern would be gloom. How did the children, one wonders, endure houses with so little escape for the eye into the world outside? Aurelius, who had altered little else, choosing to live there, in a genuine homeliness, had shifted and made the most of the level lights, and broken out a quite medieval window here and there, and the clear daylight, fully appreciated by his youthful visitor, made pleasant shadows among the objects of the imperial collection. Some of these, indeed, by reason of their Greek simplicity and grace, themselves shone out like spaces of a purer, early light, amid the splendours of the Roman manufacture.

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