MURAKAMI, Haruki



South of the Border, West of the Sun

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After graduating from elementary school, Shimamoto and I went on to separate junior highs. I left the home I had lived in till then and moved to a new town. I say a new town, but it was only two train stops from where I grew up, and in the first three months after I moved I went to see her three or four times. But that was it. Finally I stopped going. We were both at a delicate age, when the mere fact that we were attending different schools and living two train stops away was all it took for me to feel our worlds had changed completely. Our friends were different, so were our uniforms and textbooks. My body, my voice, my way of thinking, were undergoing sudden changes, and an unexpected awkwardness threatened the intimate world we had created. Shimamoto, of course, was going through even greater physical and psychological changes. And all of this made me uncomfortable. Her mother began to look at me in a strange way. Why does this boy keep coming over? she seemed to be saying. He no longer lives in the neighborhood, and he goes to a different school. Maybe I was just being too sensitive.

Shimamoto and I thus grew apart, and I ended up not seeing her anymore. And that was probably (probably is the only word I can think of to use here; I don't consider it my job to investigate the expanse of memory called the past and judge what is correct and what isn't) a mistake. I should have stayed as close as I could to her. I needed her, and she needed me. But my self-consciousness was too strong, and I was too afraid of being hurt. I never saw her again. Until many years later, that is.

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Our world’s exactly the same. Rain falls and the flowers bloom. No rain, they wither up. Bugs are eaten by lizards, lizards are eaten by birds. But in the end, every one of them dies. They die and dry up. One generation dies, and the next one takes over. That’s how it goes. Lots of different ways to live. And lots of different ways to die. But in the end that doesn’t make a bit of difference. All that remains is a desert.

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The Wind-Up Bird Chronicle

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But even so, every now and then I would feel a violent stab of loneliness. The very water I drink, the very air I breathe, would feel like long, sharp needles. The pages of a book in my hands would take on the threatening metallic gleam of razor blades. I could hear the roots of loneliness creeping through me when the world was hushed at four o'clock in the morning.

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Is it possible, in the final analysis, for one human being to achieve perfect understanding of another?

We can invest enormous time and energy in serious efforts to know another person, but in the end, how close can we come to that person's essence? We convince ourselves that we know the other person well, but do we really know anything important about anyone?

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Memories and thoughts age, just as people do. But certain thoughts can never age, and certain memories can never fade.

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Here's what I think, Mr. Wind-Up Bird," said May Kasahara. "Everybody's born with some different thing at the core of their existence. And that thing, whatever it is, becomes like a heat source that runs each person from the inside. I have one too, of course. Like everybody else. But sometimes it gets out of hand. It swells or shrinks inside me, and it shakes me up. What I'd really like to do is find a way to communicate that feeling to another person. But I can't seem to do it. They just don't get it. Of course, the problem could be that I'm not explaining it very well, but I think it's because they're not listening very well. They pretend to be listening, but they're not, really. So I get worked up sometimes, and I do some crazy things.

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1Q84
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“In this world, there is no absolute good, no absolute evil," the man said. "Good and evil are not fixed, stable entities, but are continually trading places. A good may be transformed into an evil in the next second. And vice versa. Such was the way of the world that Dostoevsky depicted in The Brothers Karamazov. The most important thing is to maintain the balance between the constantly moving good and evil. If you lean too much in either direction, it becomes difficult to maintain actual morals. Indeed, balance itself is the good.

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Norwegian Wood

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I can never say what I want to say," continued Naoko. "It's been like this for a while now. I try to say something, but all I get are the wrong words - the wrong words or the exact opposite words from what I

mean. I try to correct myself, and that only makes it worse. I lose track of what I was trying to say to begin with. It's like I'm split in two and playing tag with myself. One half is chasing the other half around this

big, fat post. The other me has the right words, but this me can't catch her

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Let me just tell you this, Watanabe," said Midori, pressing her cheek against my neck. "I'm a real, live girl, with real, live blood gushing through my veins. You're holding me in your arms and I'm telling you that I love you. I'm ready to do anything you tell me to do. I may be a little bit mad, but I'm a good girl, and honest, and I work hard, I'm kind of cute, I have nice boobs, I'm a good cook, and my father left me a trust fund. I mean, I'm a real bargain, don't you think? If you don't take me, I'll end up going somewhere else.

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