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QUASIMODO, Salvatore

Uomo Del Mio Tempo

You are still the one with the stone and the sling,

Man of my time. You were in the cockpit,

With the malevolent wings, the meridians of death,

-I have seen you - in the chariot of fire, at the gallows,

At the wheels of torture. I have seen you: it was you,

With your exact science set on extermination,

Without love, without Christ. You have killed again,

As always, as your fathers killed,

as the animals killed that saw you for the first time.

And this blood smells as on the day

When one brother told the other brother:

'Let us go into the fields.' And that echo, chill, tenacious,

Has reached down to you, within your day.

Forgot, O sons, the clouds of blood

Risen from the earth, forget your fathers:

Their tombs sink down in ashes,

Black birds, the wind, cover their heart.

Strada di Agrigentum

Là dura un vento che ricordo acceso

nelle criniere dei cavalli obliqui in

corsa lungo le pianure, vento che

macchia e rode l’arenaria e il cuore dei

telamoni lugubri, riversi sopra l’erba.

Anima antica, grigia di rancori, torni

a quel vento, annusi il delicato

muschio che riveste i giganti sospinti

giù dal cielo. Come sola allo spazio

che ti resta! E più t’accori s’odi

ancora il suono che s’allontana largo

verso il mare dove Espero già striscia

mattutino: il marranzano tristemente

vibra nella gola al carraio che risale

il colle nitido di luna, lento tra il

murmure d’ulivi saraceni.

Street in Agrigentum

There is still the wind that I remember

firing the manes of horses, racing,

slanting, across the plains,

the wind that stains and scours the sandstone,

and the heart of gloomy columns, telamons,

overthrown in the grass. Spirit of the ancients, grey

with rancour, return on the wind,

breathe in that feather-light moss

that covers those giants, hurled down by heaven.

How alone in the space that’s still yours!

And greater, your pain, if you hear, once more,

the sound that moves, far off, towards the sea,

where Hesperus streaks the sky with morning:

the jew’s-harp vibrates in the waggoner’s mouth

as he climbs the hill of moonlight, slow,

in the murmur of Saracen olive trees.

Wind at Tindari

Tindari, I know you

mild between broad hills, overhanging the waters

of the god’s sweet islands.

Today, you confront me

and break into my heart.

I climb airy peaks, precipices,

following the wind in the pines,

and the crowd of them, lightly accompanying me,

fly off into the air,

wave of love and sound,

and you take me to you,

you from whom I wrongly drew

evil, and fear of silence, shadow,

- refuge of sweetness, once certain -

and death of spirit.

It is unknown to you, that country

where each day I go down deep

to nourish secret syllables.

A different light strips you, behind the windows

clothed in night,

and another joy than mine

lies against you.

Exile is harsh

and the search, for harmony, that ended in you

changes today

to a precocious anxiousness for death,

and every love is a shield against sadness,

a silent stair in the gloom,

where you station me

to break my bitter bread.

Return, serene Tindari,

stir me, sweet friend,

to raise myself to the sky from the rock,

so that I might shape fear, for those who do not know

what deep wind has searched me.